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  • Edward Wadsworth, Bright Intervals

    Beauty, filth, violence and death: why still life art is more subversive than you think

  • Tony Dočekal Jurors Picks

    The eyes have it: LensCulture portrait awards 2024 – in pictures

    Photographers talk us through the images – from confused parents to topless lovers – that wowed the judges for this year’s prize
  • Dzimiti, Georgia, 2023

    Sons, when did you last hold your father’s hand? Valery Poshtarov’s best photograph

    ‘I have photographed fathers and sons holding hands from Bulgaria to Armenia and beyond. I approached these two as a stranger – and had just seconds before it got too awkward’
  • Abstract painting of a street in London

    Frank Auerbach painting seized from money launderer to be sold by NCA

  • Young Farmers’ Meeting, Brecon, Wales 1973.

    First class posts: David Hurn’s Instagram highlights – in pictures

  • Employees of the Louvre Museum hang the painting "Liberty Leading the People"

    Delacroix’s Liberty shows her true colours after Louvre restoration

  • ‘Some Ibiza magic’ … ravers at The Trip in London in 1988.

    ‘We handed out raw fish to clubbers’: the mind-bending acid house tour of London

  • An intensely personal masterpiece … detail from Michelangelo’s Angels (Last Judgment study).

    Michelangelo
    Michelangelo: The Last Decades review – where has all the lust and longing gone?

  • Gabriele Münter, Listening (Portrait of Jawlensky), 1909.  detail

    Art
    Expressionists: Kandinsky, Münter and the Blue Rider review – bringers of joy

  • Wassily Kandinsky, Improvisation Deluge, 1913. Stadtische Galerie im Lenbachhaus

    Art
    Expressionists review – the vivid premonitions of Europe’s wildest-eyed geniuses

  • Exterior view of the space in which to place me (Jeffrey Gibson’s exhibition for the United States Pavilion, 60th International Art Exhibition – La Biennale di Venezia), April 20 – November 24, 2024.
Forecourt sculpture: the space in which to place me (2024).

    Venice Biennale 2024
    Armed guards, reparations and the lives of others: Venice Biennale 2024 – review

  • Fables reconstructed … Shaolin Monastery, Hunan Province, China 2004.

    Off the wall: a miraculous Magnum print sale – in pictures

  • Australian-Papua New Guinean singer Ngaiire, talks about life and family in  La Perouse on 17 April.

    Australia’s best photos of the month – April 2024

    Women’s wrestling in Ballarat, Olympic breakdancers, sunflowers and a viral lawnmower man: here is Guardian Australia’s selection of some of the month’s best images
  • ‘For all the anonymous outlaws’ … Dean Sameshima, Anonymous Homosexual (2020).

    Police busts, porn cinemas and glory holes: the wild art of sexual outlaw Dean Sameshima

    Busted for cruising in an LA toilet, he proudly turned his police documents into art. Now the Californian is bringing Being Alone – his elegant hymn to anonymous hookups – to Venice and London
  • ‘They’ve got the car, the hat, the T-shirt. The apartment is the natural progression’ … the Aston Martin Residences.

    A 007 paradise – or lads holiday in Marbella? Inside Aston Martin’s lavish Miami penthouses

  • Semi-naked cartoon savages … the Jarvis Mural.

    ‘One of the most racist things I’ve ever seen’: how RIBA is decolonising its HQ

  • Alan Colquhoun and John Miller - Architects<br>Alan Colquhoun (1921-2012) and John Miller - Architects, pictured in The Tatler in 1962. Date: 1962

    Letters: John Miller obituary

  • Lift operator Mzia Sabanadze in her room next to the elevator she operates.

    Cats, cuddly toys and a portrait of Stalin: the last lift lady guarding Tbilisi’s brutalist skybridge

  • Horn of plenty … a tapestry fragment from Flanders, c1500.

    Artistic unicorns, protest ceramics and queer art from Morocco – the week in art

  • Caravaggio’s The Martyrdom of Saint Ursula, 1610.

    Death-defying darkness, thought-provoking pop art and unrepentant nudes – the week in art

    Caravaggio proves haunting, Yinka Shonibare brings colonial figures down to size and Monica Sjöö photographs the goddess feminism – all in your weekly dispatch
  • Gallery assistants pose with a participatory installation entitled Add Colour (Refugee Boat) during the press preview of Yoko Ono: Music of the Mind exhibition at Tate Modern in London on 13 February 2024.

    Let’s tell the story of art without men

    Letters: Dr Suzy Tutchell champions the work of past and present female artists, while Caroline Higgitt takes Francesco Vezzoli’s challenge
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