Smita Patil: Difference between revisions
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'''Smita Patil''' ({{lang-mr|स्मिता पाटील}}) (17 October 1955 – 13 December 1986) was an [[India]]n actress of film, television and theatre. |
'''Smita Patil''' ({{lang-mr|स्मिता पाटील}}) (17 October 1955 – 13 December 1986) was an [[India]]n actress of film, television and theatre. In a career that spanned more than a sole decade, Patil appeared in over 75 [[Hindi]] and [[Marathi language|Marathi]] films, and is regarded among the finest stage and film actresses of India.<ref name="Britannica">{{cite book|author=Gulzar; Nihalani, Govind; Chatterji, Saibal|title=Encyclopaedia of Hindi Cinema|year=2003|publisher=Popular Prakashan|isbn=81-7991-066-0|page=601}}</ref> Patil graduated from the [[Film and Television Institute of India]] in [[Pune]] and made her film debut with [[Shyam Benegal]]'s ''[[Charandas Chor]]'' (1975). She became one of the leading actresses of [[parallel cinema]], a New Wave movement in India cinema, though she also appeared in several mainstream movies throughout her career.<ref name=hindu>{{cite news|newspaper=[[The Hindu]]|title=A blazing talent remembered|url=http://www.hindu.com/thehindu/fr/2002/12/20/stories/2002122001290500.htm|date=2002-12-20|accessdate=2011-02-01|author=Lahiri, Monojit}}</ref> Her performances were often acclaimed, and her most notable roles include ''[[Manthan]]'' (1977), ''[[Bhumika]]'' (1977), ''[[Aakrosh (1980 film)|Aakrosh]]'' (1980), ''[[Chakra (film)|Chakra]]'' (1981) and ''[[Mirch Masala]]'' (1985).<ref name=hindu/> |
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Patil graduated from the [[Film and Television Institute of India]] in [[Pune]] and made her film debut with [[Shyam Benegal]]'s ''[[Charandas Chor]]'' (1975). She became one of the leading actresses of [[parallel cinema]], a New Wave movement in India cinema, though she also appeared in several mainstream movies throughout her career.<ref name=hindu>{{cite news|newspaper=[[The Hindu]]|title=A blazing talent remembered|url=http://www.hindu.com/thehindu/fr/2002/12/20/stories/2002122001290500.htm|date=2002-12-20|accessdate=2011-02-01|author=Lahiri, Monojit}}</ref> Her performances were often acclaimed, and her most notable roles include ''[[Manthan]]'' (1977), ''[[Bhumika]]'' (1977), ''[[Aakrosh (1980 film)|Aakrosh]]'' (1980), ''[[Chakra (film)|Chakra]]'' (1981) and ''[[Mirch Masala]]'' (1985).<ref name=hindu/> |
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Apart from acting, Patil was an active feminist (in a distinctly Indian context) and a member of the Women's Centre in Mumbai. She was deeply committed to the advancement of women's issues, and gave her endorsement to films which sought to explore the role of women in traditional Indian society, their sexuality, and the changes facing the middle-class woman in an urban milieu.<ref>[http://movies.indiainfo.com/tales/smitapatil.html] "Reminiscing About Smita Patil"</ref> |
Apart from acting, Patil was an active feminist (in a distinctly Indian context) and a member of the Women's Centre in Mumbai. She was deeply committed to the advancement of women's issues, and gave her endorsement to films which sought to explore the role of women in traditional Indian society, their sexuality, and the changes facing the middle-class woman in an urban milieu.<ref>[http://movies.indiainfo.com/tales/smitapatil.html] "Reminiscing About Smita Patil"</ref> |
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Revision as of 09:41, 22 March 2011
Smita Patil | |
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| File:Smita Patil.jpg | |
| Born | |
| Years active | 1974 - 1985 |
| Spouse | Raj Babbar |
Smita Patil (Marathi: स्मिता पाटील) (17 October 1955 – 13 December 1986) was an Indian actress of film, television and theatre. In a career that spanned more than a sole decade, Patil appeared in over 75 Hindi and Marathi films, and is regarded among the finest stage and film actresses of India.[1] Patil graduated from the Film and Television Institute of India in Pune and made her film debut with Shyam Benegal's Charandas Chor (1975). She became one of the leading actresses of parallel cinema, a New Wave movement in India cinema, though she also appeared in several mainstream movies throughout her career.[2] Her performances were often acclaimed, and her most notable roles include Manthan (1977), Bhumika (1977), Aakrosh (1980), Chakra (1981) and Mirch Masala (1985).[2]
Apart from acting, Patil was an active feminist (in a distinctly Indian context) and a member of the Women's Centre in Mumbai. She was deeply committed to the advancement of women's issues, and gave her endorsement to films which sought to explore the role of women in traditional Indian society, their sexuality, and the changes facing the middle-class woman in an urban milieu.[3]
Patil was married to actor Raj Babbar. She died on 13 December 1986 at the age of 31 due to childbirth complications. Over ten of her films released after her death. Her son, Prateik Babbar is a film actor who made his debut in 2008.
Early life
Smita Patil was born in Pune into a Marathi family to a Maharashtrian politician, Shivajirao Patil and social worker mother, from Shirpur town (Village-Bhatpure) of Khandesh province of Maharashtra State. She studied at a Marathi-language school.
Her first tryst with the camera was as a television newscaster for Doordarshan Pune, the Indian government owned television.
Career
Smita Patil belongs to a generation of actresses, including Shabana Azmi and, like her, is strongly associated with the radically political cinema of the 1970s. Her work includes films with parallel cinema directors like Shyam Benegal, Govind Nihalani and Mrinal Sen as well as forays into the more commercial Hindi Film Industry cinema of Mumbai. Patil was working as a TV news reader and was also an accomplished photographer when Shyam Benegal discovered her.[4]
She was an alumna of the Film and Television Institute of India, Pune. In 1977, she won the National Award for 'Best Actress' for her performance in the Hindi film Bhumika. In her films, Patil's character often represents an intelligent femininity that stands in relief against the conventional background of male-dominated cinema (films like Bhumika, Umbartha, and Bazaar). Smita Patil was also a women's rights activist and became famous for her roles in films that portrayed women as capable and empowered.
"I remained committed to small cinema for about five years ... I refused all commercial offers. Around 1977-78, the small cinema movement started picking up and they needed names. I was unceremoniously dropped from a couple of projects. This was a very subtle thing but it affected me a lot. I told myself that here I am and I have not bothered to make money. I have turned down big, commercial offers because of my commitment to small cinema and what have I got in return? If they want names I'll make a name for myself. So I started and took whatever came my way."
In time she was accepted by commercial filmmakers and from Raj Khosla and Ramesh Sippy to B.R. Chopra, they all agreed that she was "excellent". Her fans, too, grew with her newfound stardom. Patil's glamorous roles in her more commercial films—such as Shakti and Namak Halaal -- revealed the permeable boundaries between "serious" cinema and "Hindi Cinema" masala in the Hindi film industry.
Her association with artistic cinema remained strong, however. Her arguably greatest (and unfortunately final) role came when Smita re-teamed with Ketan Mehta to play the feisty and fiery Sonbai in Mirch Masala (1987). Smita won raves for playing a spirited spice-factory worker who stands up against a lecherous petty official.
Personal life
When Patil became romantically involved with the actor Raj Babbar, Patil drew severe criticism from her fans and the media, clouding her personal life and throwing her into the eye of a media storm. Raj Babbar left his wife, Nadira Babbar to marry Patil.
Overnight, Patil was labeled a "home-breaker" by the very Feminist organizations she had worked so assiduously for, and became the target of barbed criticism.
Death
Smita died from childbirth complications on 13 December 1986, aged 31, barely two weeks after having given birth to her son, Prateik Babbar.
Nearly two decades later, one of India's greatest film directors, Mrinal Sen alleged that Smita Patil had died due to gross medical negligence.[5]
Awards
- Winner
- 1978 - National Film Award - Best Actress for Bhumika
- 1982 - Filmfare Best Actress Award for Chakra
- 1982 - National Film Award - Best Actress for Chakra
- 1985 - Padma Shri Award
- Nominated
- 1978 - Filmfare Best Actress Award for Bhumika
- 1983 - Filmfare Best Actress Award for Bazaar
- 1984 - Filmfare Best Supporting Actress Award for Arth
- 1984 - Filmfare Best Supporting Actress Award for Mandi
- 1985 - Filmfare Best Actress Award for Aaj Ki Aawaz
Incomplete Filmography
| Year | Film | Role | Other notes |
|---|---|---|---|
| 1974 | Mere Saath Chal | Geeta | |
| Samna | Kamley | Entered into the 25th Berlin International Film Festival | |
| 1975 | Nishant | Rukumani | |
| Charandas Chor | Rajkumari (Princess) | ||
| 1976 | Manthan | Bindu | |
| 1977 | Bhumika | Ushavari | Winner, National Film Award for Best Actress
Nominated, Filmfare Best Actress Award |
| Jait Re Jait | Marathi Film | ||
| 1978 | Kondura | Parvati | |
| Gaman | Khairun Hussain | ||
| Sarvasakshi | Sujatha | ||
| 1980 | Bhavani Bhavai | Ujaan | |
| Aakrosh | Nagi Lahanya | ||
| Albert Pinto Ko Gussa Kyon Aata Hain | Joan | ||
| The Naxalites | Ajitha | ||
| 1981 | Chakra | Amma | Double Winner, Filmfare Best Actress Award |
| Sadgati | Jhuria | TV | |
| Tajurba | |||
| 1982 | Baazar | Najma | Nominated, Filmfare Best Actress Award |
| Shakti | Roma Devi | ||
| Namak Halaal | Poonam | ||
| Umbartha | Savitri Mahajan | Marathi Film
Dubbed as Subah Winner, Marthi Rajya Chitrapat Puraskar for Best Actress | |
| 1983 | Arth | Kavita Sanyal | Nominated, Filmfare Best Supporting Actress Award |
| Mandi | Zeenat | Nominated, Filmfare Best Supporting Actress Award | |
| Ghungroo | Kesarbai | ||
| Ardh Satya | Jyotsna Gokhale | ||
| Qayamat | Shashi | ||
| 1984 | Aaj Ki Aawaz | Rajni Deshmukh | Nominated, Filmfare Best Actress Award |
| Raavan | Ganga | ||
| Pet Pyaar Aur Paap | |||
| Sharaabi | Meena | ||
| Mera Dost Mera Dushman | Lali | ||
| 1985 | Chidambaram | Shivagami | |
| Ghulami | Sumitra Sultan Singh | ||
| Debshishu | Utpalendu Chakraborty | Bengali film [6] | |
| Aakhir Kyun? | Nisha | ||
| Mera Ghar Mere Bachche | Geeta Bhargav | ||
| 1986 | Aap Ke Saath | Ganga | |
| Amrit | Kamla Shrivastav | ||
| Dilwaala | Sumitra Devi | ||
| 1987 | Mirch Masala | Sonbai | |
| Dance Dance | Radha | ||
| Thikana | Shashi Goel | ||
| Sutradhar | Prerna | ||
| Insaaniyat Ke Dushman | Lakshmi Nath | ||
| 1988 | Waaris | Paramjit | |
| Hum Farishte Nahin | Roma | ||
| 1989 | Galiyon Ke Badshah | Tulsi |
External links
References
- ^ Gulzar; Nihalani, Govind; Chatterji, Saibal (2003). Encyclopaedia of Hindi Cinema. Popular Prakashan. p. 601. ISBN 81-7991-066-0.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ a b Lahiri, Monojit (2002-12-20). "A blazing talent remembered". The Hindu. Retrieved 2011-02-01.
- ^ [1] "Reminiscing About Smita Patil"
- ^ "Indian Cinema - Smita Patil", SSCnet UCLA
- ^ "Memories from Mrinal da", Rediff.com, 2 February 2005.
- ^ Debashishu