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{{use list-defined references|date=June 2024}}
{{Short description|2020 studio album by the Microphones}}
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{{Infobox album
{{Infobox album
| name = Microphones in 2020
| name = Microphones in 2020
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| cover = The Microphones - Microphones in 2020.jpg
| cover = The Microphones - Microphones in 2020.jpg
| alt = A photograph of Elverum standing in front of a cabin at night with the photo reflected at the bottom featuring him in the day
| alt = A photograph of Elverum standing in front of a cabin at night with the photo reflected at the bottom featuring him in the day
| released = {{startdate|2020|8|7}}
| released = {{start date|2020|8|7}}
| recorded = May 2019{{nbsp}}– May 2020
| recorded = May 2019{{nbsp}}– May 2020
| genre = [[Experimental rock]]<ref name="pm" />
| genre = *[[Indie folk]]<ref name="popmatters" />
*[[indie rock]]<ref name="popmatters" />
*[[neofolk|avant-folk]]<ref name="popmatters" />
| length = 44:44
| length = 44:44
| label = P. W. Elverum & Sun, Ltd.
| label = P. W. Elverum & Sun, Ltd.
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| next_year =
| next_year =
}}
}}
'''''Microphones in 2020''''' is the fifth studio album by American [[indie rock]] band [[the Microphones]]. It is the Microphones' first release in 17{{nbsp}}years, following 2003's ''[[Mount Eerie (album)|Mount Eerie]]''. It was released on August 7, 2020, on frontman [[Phil Elverum]]'s [[record label]] P.W. Elverum & Sun.
'''''Microphones in 2020''''' is the fifth and final<ref name="box" /> studio album by American [[indie folk]] and [[indie rock]] band [[the Microphones]]. It is the Microphones' [[List of longest gaps between studio albums|first release in 17{{nbsp}}years]], following 2003's ''[[Mount Eerie (album)|Mount Eerie]]''. It was released on August 7, 2020, on frontman [[Phil Elverum]]'s [[record label]] P.W. Elverum & Sun.


''Microphones in 2020'' is a [[concept album]] comprised of one 44-minute song describing Elverum's life and musical career. The album was written and recorded entirely by Elverum. Its release was accompanied by a short film consisting of 761 printed photos taken by Elverum, which Elverum described as "lyric video...a [[Slide show|slideshow]], a [[Microsoft PowerPoint|powerpoint]] presentation, a [[flip book]] and a [[Documentary film|documentary]]".
''Microphones in 2020'' is a [[concept album]] consisting of one 44-minute song describing Elverum's life and musical career. The album was written and recorded entirely by Elverum. Its release was accompanied by a short film consisting of 761 printed photos taken by Elverum, which Elverum described as "lyric video...a [[Slide show|slideshow]], a [[Microsoft PowerPoint|powerpoint]] presentation, a [[flip book]] and a [[Documentary film|documentary]]".


Upon its announcement, fans and music publications were interested by the fact that the album was credited to the Microphones and not to [[Mount Eerie]], under which name Elverum had released most of his music since 2004. The album received widespread critical acclaim.
Upon its announcement, fans and music publications were interested the album was credited to the Microphones and not to [[Mount Eerie]], which Elverum had released most of his music under since 2004. The album received widespread critical acclaim.


== Background and inspiration ==
== Background and inspiration ==
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| quote = "The point of this song was sort of: Here I am right now in 2020. I am currently all of those things. I am still that embarrassing stuff and the good stuff and everything has happened...I really tried to paint a picture of what ingredients made up...the Microphones period".<ref name="rs" />
| quote = "The point of this song was sort of: Here I am right now in 2020. I am currently all of those things. I am still that embarrassing stuff and the good stuff and everything has happened...I really tried to paint a picture of what ingredients made up...the Microphones period".<ref name="rs" />
}}
}}
The American musician [[Phil Elverum]] began [[the Microphones]] in 1996, acting as the frontman and principal songwriter. The band released four studio albums between 1996 and 2003,<ref name="avc" /> including ''[[Don't Wake Me Up (album)|Don't Wake Me Up]]'' (1999), which gave the band a small following,<ref name="e!career" /> and ''[[The Glow Pt. 2]]'' (2001), which went on to become a critically acclaimed [[Cult following|cult classic]].<ref name="pmlove" /><ref name="believer" /> After the release of 2003's ''[[Mount Eerie (album)|Mount Eerie]]'', Elverum ended the Microphones and opted to release his music under the name [[Mount Eerie]] instead, as the themes of his music had changed.<ref name="pmint" /><ref name="oc" />
In 1996, Elverum began a project known as [[the Microphones]], which soon developed a [[Cult following|cult fanbase]]. He retired the moniker in 2003 and began a new project under the name [[Mount Eerie]], the same name used as the title for the [[Mount Eerie (album)|fourth Microphones album]].<ref name=":1">{{Cite web|last=Power|first=Ed|date=2020-12-10|title='I wanted to blow holes in the wall': How the concept album got inventive|url=https://www.independent.co.uk/arts-entertainment/music/features/the-avalanches-we-will-always-love-you-concept-album-b1769416.html|url-status=live|archive-url=https://web.archive.org/web/20201216105931/https://www.independent.co.uk/arts-entertainment/music/features/the-avalanches-we-will-always-love-you-concept-album-b1769416.html|archive-date=2020-12-16|access-date=2020-12-26|website=[[The Independent]]|language=en}}</ref><ref name="oc" /> After performing a show under the Microphones name in 2019, the attention it received led Elverum to question his "past identity" and desire to return to the project.<ref name="rs" /><ref name="pm" />


The project first started with Elverum "just walking around with it in [his] head and mumbling to [himself]". He then got ideas for lyrics which he refined to only "the necessary parts" and translated to written words. He wrote them down by hand in a notebook. Elverum stapled together pages of paper to keep it as one contained piece; he compared it to a [[scroll]] which was, according to him, "about nine feet long".<ref name="npr" /> The album was recorded between May 2019 and May 2020.<ref name=":2">{{Cite web|author=Anon|date=2020-12-11|title=Our 50 favourite albums of 2020|url=https://thevinylfactory.com/features/best-albums-of-2020/|url-status=live|archive-url=https://web.archive.org/web/20201223145748/https://thevinylfactory.com/features/best-albums-of-2020/|archive-date=2020-12-23|access-date=2020-12-26|website=The Vinyl Factory|language=en-US}}</ref>
After performing a show under the Microphones name in 2019, the attention it received led Elverum to question his "past identity" and desire to return to the project.<ref name="rs" /><ref name="pm" /> The project first started with Elverum "just walking around with it in [his] head and mumbling to [himself]".<ref name="npr" /> He began creating lyrics, intending to encapsulate "whoever [he] was during those years".<ref name="npr" /> After refining the lyrics to only what was necessary, he transcribed them to a notebook.<ref name="npr" /> He connected the pages with staples to create a singular scroll, which was about {{Convert|9|ft|m|sigfig=1}} by the end.<ref name="npr" /> The album was recorded between May 2019 and May 2020.<ref name="2020vf" />


Speaking to [[NPR]], Elverum explained that releasing the album under his old moniker was part of a self-imposed writing assignment as a musician.<ref name="npr" /> He wanted the album to be a "project of demystification" which evoked and prodded at the feeling and history of the Microphones—but not hindered by nostalgia; instead being long-lasting<ref name="avc" />—analysed it within the scope of Elverum's life and change in perspective and rather than answer questions, simply express "how it is. The true state of all things is a waterfall".<ref name="interview" />
Speaking to [[NPR]], Elverum explained that releasing the album under his old moniker was part of a self-imposed writing assignment as a musician.<ref name="npr" /> He wanted the album to be a "project of demystification" which evoked and prodded at the feeling and history of the Microphones—but not hindered by nostalgia, instead being long-lasting<ref name="avc" />—analysed it within the scope of Elverum's life and change in perspective and rather than answer questions, simply express "how it is. The true state of all things is a waterfall".<ref name="interview" />


== Composition and lyrics ==
== Music and lyrics ==
[[File:Ang Lee (8464864982).jpg|thumb|Ang Lee's 2000 film ''Crouching Tiger, Hidden Dragon'' was referenced in the album as a pivotal moment in Elverum's musical development which transitioned his music into "Something more transcendent".<ref name="npr" />]]
[[File:Ang Lee (8464864982).jpg|thumb|[[Ang Lee]]'s 2000 film ''[[Crouching Tiger, Hidden Dragon]]'' was referenced in the album as a pivotal moment in Elverum's musical development which transitioned his music into "Something more transcendent".<ref name="npr" />]]


=== Composition ===
=== Music ===
''Microphones in 2020'' is a [[concept album]] that consists of a single 44-minute song.<ref name="avc" /><ref name=":1" /> It begins with a seven-minute introduction composed of two [[Double tracking|double-tracked]] and out of phase chords—[[D-sharp minor]] and [[F-sharp minor|F sharp minor]]<ref name="rs" />—that are played on an acoustic guitar.<ref name="npr" /> It is then followed by [[Sprechgesang|speak-singing]], drums, bass, organ, electric [[guitar]] (which at times appears abruptly),<ref>{{Cite web|last=Jenkins|first=Craig|date=2020-12-09|title=The Best Albums of 2020|url=https://www.vulture.com/article/the-best-albums-of-2020.html|url-status=live|archive-url=|archive-date=|access-date=2020-12-27|website=[[Vulture (website)|Vulture]]|language=en-us}}</ref> and piano (which slowly crescendos).<ref name=":2" /><ref name=":4" />
''Microphones in 2020'' is a [[concept album]] that consists of a single 45-minute song.<ref name="avc" /><ref name="indy" /> It begins with a seven-minute instrumental section composed of two [[Double tracking|double-tracked]] and out of phase chords—[[D major]] and [[F-sharp minor|F sharp minor]]<ref name="rs" />—played on an acoustic guitar.<ref name="npr" /> This guitar technique was used in earlier works, for example, [[It Was Hot, We Stayed in the Water|"The Pull"]] in 2000, and Elverum considers it important to the band's sound.<ref name="pm" /><ref name="npr" /> Elverum explained that his reasoning for the intro's length was "wanting to push up against the edges, similar to extreme [[drone music]], the way that it wears down at your sense of time and reality and makes you forget yourself", as well as symbolically representing the time between ''Mount Eerie'' and ''Microphones in 2020''.<ref name="npr" />


After the introduction, more instruments are introduced: [[Sprechgesang|speak-singing]], drums, bass, organ, electric [[guitar]] (which at times appears abruptly),<ref name="2020vulture" /> and piano (which slowly crescendos).<ref name="2020vf" /><ref name="hp" /> At times, the guitar ostinato gives way to other textures: [[Distortion (music)|distorted instruments]] and [[Tape hiss|amp hiss]].<ref name="pm" />
Elverum explained that his reasoning for the intro's length was "wanting to push up against the edges, similar to extreme [[drone music]], the way that it wears down at your sense of time and reality and makes you forget yourself", as well as symbolically representing the time between ''Mount Eerie'' and ''Microphones in 2020''.<ref name="npr" /> When it was suggested that the album is a [[Postmodernism|postmodern]] entity, Elverum stated, "Yeah well I feel it is its own weird thing, I guess. [...] I think of it more as an [[audiobook]] or something. It's like this big chunk thing that you can listen to if you want to sit down and devote some time to it."<ref>{{Cite web|last=Rosenthal|first=Jon|date=August 7, 2020|title=An Interview with Phil Elverum on The Microphones' First Album in 17 years|url=https://www.brooklynvegan.com/an-interview-with-phil-elverum-on-the-microphones-first-album-in-17-years/|url-status=live|archive-url=|archive-date=|access-date=2021-01-07|website=[[BrooklynVegan]]|language=en}}</ref>


=== Lyrics ===
=== Lyrics and themes ===
The album is mainly about Elverum's life and musical career. He discusses many significant moments in his musical career, such as the beginnings of the Microphones, the production of the 2001 album ''[[The Glow Pt. 2]]'', watching the film ''[[Crouching Tiger, Hidden Dragon]]'', viewing performances by [[Stereolab]] and [[Will Oldham|Bonnie “Prince” Billy]], and listening to "[[Freezing Moon]]" by [[Mayhem (band)|Mayhem]].<ref name="rs" /><ref name=":0">{{Cite web|author=Anon|date=December 17, 2020|title=The 100 best songs of 2020|url=https://www.thefader.com/2020/12/17/100-best-songs-2020-list-haim-bad-bunny-bladee-rank|url-status=live|archive-url=https://web.archive.org/web/20201220082330/https://www.thefader.com/2020/12/17/100-best-songs-2020-list-haim-bad-bunny-bladee-rank|archive-date=2020-12-20|access-date=2020-12-26|website=[[The Fader]]|language=en}}</ref> The album is also self-referential,<ref>{{Cite web|last=Staff|first=Crew Bittner {{!}} Senior|date=2020-08-11|title='Microphones in 2020' is music as memoir|url=https://www.dailycal.org/2020/08/11/microphones-in-2020-is-music-as-memoir/|access-date=2021-01-07|website=The Daily Californian|language=en-US}}</ref> with Elverum directly commenting on the creation and naming of ''Microphones in 2020'' in the lyrics.
The album is mainly about Elverum's life and musical career. His autobiographical journey is non-linear and skips around time.<ref name="pm" /> He discusses many significant moments in his musical career, such as the beginnings of the Microphones, the production of the 2001 album ''[[The Glow Pt. 2]]'', watching the film ''[[Crouching Tiger, Hidden Dragon]]'', viewing performances by [[Stereolab]] and [[Will Oldham|Bonnie "Prince" Billy]], and listening to "[[Freezing Moon]]" by [[Mayhem (band)|Mayhem]].<ref name="rs" /><ref name="2020fader" /> There are many [[Self-reference|self-referential]] lyrics that point to themes and motifs from Elverum's other works, for example "When [[The Glow Pt. 2|I took my shirt off in the yard]] I meant it, and it’s still off."<ref name="npr" /><ref name="pm" />


Nostalgia is a prominent theme, with both the nostalgia of Elverum and his fans discussed, as well as the question of it being positive or not being proposed.<ref name=":1" /> The questions Elverum had from the initial 2019 show performing under the Microphones name again are featured and explored in the album.<ref name="pm" /> Themes of process, form, identity, [[impermanence]], and uncertainty are present—with the latter two themes, according to Elverum, inspired by the "[[A Crow Looked at Me|The trauma and mess of the last five or so years of my life]]".<ref name=":4">{{Cite web|last=Power|first=Ed|date=September 1, 2020|title=Interview: Phil Elverum on Microphones in 2020|url=https://www.hotpress.com/music/interview-phil-elverum-on-microphones-in-2020-22826480|url-status=live|archive-url=https://web.archive.org/web/20200930071850/https://www.hotpress.com/music/interview-phil-elverum-on-microphones-in-2020-22826480|archive-date=2020-09-30|access-date=2020-12-26|website=Hotpress}}</ref><ref>{{Cite web|last=Pearce|first=Sheldon|date=December 8, 2020|title=My Thirty Favorite Albums of 2020|url=https://www.newyorker.com/culture/2020-in-review/my-thirty-favorite-albums-of-2020|url-status=live|archive-url=https://web.archive.org/web/20201220115711/https://www.newyorker.com/culture/2020-in-review/my-thirty-favorite-albums-of-2020|archive-date=2020-12-20|access-date=2020-12-26|website=The New Yorker|language=en-us}}</ref>
Nostalgia is a prominent theme, with both the nostalgia of Elverum and his fans discussed, as well as the question of it being positive or not.<ref name="indy" /> Elverum looks back at his past experiences with kindness, channeling the wonder and meaning from his youth.<ref name="pm" /> The questions Elverum had from the initial 2019 show performing under the Microphones name again are featured and explored in the album.<ref name="pm" /> Themes of process, form, identity, [[impermanence]], and uncertainty are present—with the latter two themes, according to Elverum, inspired by "The trauma and mess of the last five or so years of my life".<ref name="hp" /><ref name="2020nyer" /> [[Meaning (philosophy)|Meaning]] and Elverum's search for it are prevalent themes in the album, and appear across Elverum's discography.<ref name="pm" />

When it was suggested that the album is a [[Postmodernism|postmodern]] entity, Elverum stated, "Yeah well I feel it is its own weird thing, I guess. [...] I think of it more as an [[audiobook]] or something. It's like this big chunk thing that you can listen to if you want to sit down and devote some time to it."<ref name="bv" />


== Release ==
== Release ==
The album was announced on June 16, 2020, and released on August 7.<ref name="avc" /> According to writer Conor Williams, the initial attention from fans and music publications was concerned with it being a new Microphones album, which surprised Elverum (who expected the length to be what garnered the most attention).<ref name="interview" /> The album was intentionally not released on [[Spotify]] as a form of protest.<ref>{{Cite web|last=Hudson|first=Alex|date=August 17, 2020|title=Mount Eerie's Phil Elverum Suggests Spotify Is Immoral Even Though It "Is Not Illegal Yet"|url=https://exclaim.ca/music/article/mount_eeries_phil_elverum_suggests_spotify_is_immoral_even_though_it_is_not_illegal_yet|url-status=live|archive-url=https://web.archive.org/web/20201218094410/https://exclaim.ca/music/article/mount_eeries_phil_elverum_suggests_spotify_is_immoral_even_though_it_is_not_illegal_yet|archive-date=2020-12-18|access-date=2020-12-26|website=[[Exclaim!]]|language=en-ca}}</ref>
The album was announced on June 16, 2020, and released on August 7.<ref name="avc" /> According to writer Conor Williams, the initial attention from fans and music publications originated from the decision for the album to be released under the Microphones, which surprised Elverum (who expected the song's length to garner the attention).<ref name="interview" /> The album was intentionally not released on [[Spotify]] [[Criticism of Spotify|as a form of protest]].<ref name="spotify" />


=== Short film ===
=== Short film ===
On August 6, an album-length short film was released to correspond with the release of the album. Distinct from traditional [[music video]]s, Elverum described it as a "lyric video", as well as "a [[Slide show|slideshow]], a [[Microsoft PowerPoint|powerpoint]] presentation, a [[flip book]] and a [[Documentary film|documentary]]". The video consists of 761 printed photos taken by Elverum, which are synched to the album's lyrics; at times, the video features the people and places discussed in the lyrics. It took Elverum three weeks to produce.<ref name="vid" /><ref name=":3">{{Cite web|last=Bloom|first=Madison|date=November 12, 2020|title=Phil Elverum Announces Microphones in 2020 Photo Book|url=https://pitchfork.com/news/phil-elverum-announces-microphones-in-2020-photo-book/|url-status=live|archive-url=https://web.archive.org/web/20201113063214/https://pitchfork.com/news/phil-elverum-announces-microphones-in-2020-photo-book/|archive-date=2020-11-13|access-date=2020-12-26|website=[[Pitchfork (website)|Pitchfork]]|language=en-us}}</ref> On December 25, Elverum released ''Microphones in 2020 Silent Version'', which compiles the images from the short film into a [[Photo-book|photobook]]. Elverum created the book because he wanted the photos displayed to be appreciated in a manner that the film did not allow.<ref name=":3" />
On August 6, an album-length short film was released to correspond with the release of the album. Distinct from traditional [[music video]]s, Elverum described it as a "lyric video", as well as "a [[Slide show|slideshow]], a [[Microsoft PowerPoint|powerpoint]] presentation, a [[flip book]] and a [[Documentary film|documentary]]". The video consists of 761 printed photos taken by Elverum, which are synched to the album's lyrics; at times, the video features the people and places discussed in the lyrics. It took Elverum three weeks to produce.<ref name="vid" /><ref name="book" /> On December 25, Elverum released the [[Photo-book|photobook]] ''Microphones in 2020 Silent Version'', composed of images from the short film. Elverum created the book because he wanted the photos displayed to be appreciated in a manner that the film did not allow.<ref name="book" />


Williams compared the film to [[Hollis Frampton]]'s ''[[Nostalgia (1971 film)|Nostalgia]]''. He also commented on Elverum appearing as a "ghost" in the photos (something Elverum deliberately intended).<ref name="interview" />
Williams compared the film to [[Hollis Frampton]]'s ''[[Nostalgia (1971 film)|Nostalgia]]''. He also commented on Elverum appearing as a "ghost" in the photos (something Elverum deliberately intended).<ref name="interview" /> ''Pitchfork''<nowiki/>'s Sam Sodomsky wrote that the photos added "bittersweet [[Sensory cue|visual cues]]".<ref name="2020pm" />


==Reception==
==Reception==
{{Album ratings
{{Album ratings
| MC = 87/100<ref name="mc" />
| MC = 87/100<ref name="mc" />
| ADM = 8.4/10<ref name="adm" />
| ADM = 8.4/10<ref name="adm" />
| rev1 = [[AllMusic]]
| AOTY = 85/100<ref name="aoty" />
| rev1Score = {{Rating|4|5}}<ref name="allmusic" />
| rev1 = ''[[Exclaim!]]''
| rev2 = ''[[Exclaim!]]''
| rev1score = 9/10<ref name="e!" />
| rev2score = 9/10<ref name="e!" />
| rev2 = ''[[Mojo (magazine)|Mojo]]''
| rev3 = ''[[Mojo (magazine)|Mojo]]''
| rev2score = {{rating|4|5}}<ref name="mojo" />
| rev3score = {{rating|4|5}}<ref name="mojo" />
| rev3 = ''[[Paste (magazine)|Paste]]''
| rev4 = ''[[Paste (magazine)|Paste]]''
| rev3score = 8.9/10<ref name="paste" />
| rev4score = 8.9/10<ref name="paste" />
| rev4 = ''[[Pitchfork (website)|Pitchfork]]''
| rev5 = ''[[Pitchfork (website)|Pitchfork]]''
| rev4score = 8.5/10<ref name="pm" />
| rev5score = 8.5/10<ref name="pm" />
}}
}}
{{MC|Microphones in 2020|universal critical acclaim|87|seven}}<ref name="mc" /> The staff of Album of the Year characterized the reception as an 85 out of 100<ref name="aoty" /> and [[AnyDecentMusic?]] summed up the critical consensus as an 8.4 out of 10.<ref name="adm" />
{{Metacritic album prose|Microphones in 2020|universal critical acclaim|87|seven}}<ref name="mc" /> [[AnyDecentMusic?]] summed up the critical consensus as an 8.3 out of 10, aggregating nine reviews.<ref name="adm" />


Chris DeVille of ''[[Stereogum]]'' praised the album, writing "''Microphones in 2020'' affirms the value of sifting through the past from time to time, so long as you spring forward. It works so well not because it tears down those old foundations, but because it builds so beautifully upon them." The site listed it as the album of the week.<ref name="sg" /> A brief review in ''[[Mojo (magazine)|Mojo]]'' gave it four out of five stars, calling it "intimate" and "absorbing".<ref name="mojo" /> Matt Bobkin of ''[[Exclaim!]]'' gave the album nine out of 10, contextualizing this release in Elverum's career arc as well as the sociopolitical climate in which it was released, summing it up as "Elverum's indelible stamp of style, distilled into a single track that flows like waves in the ocean or hills on the mountainside".<ref name="e!" /> Clare Martin of ''[[Paste (magazine)|Paste]]'' praised the introspective lyrics and delicate instrumentation, concluding, "an engrossing one-track album is no easy feat, but he draws us in with expertly rich, layered lyricism and immersive production".<ref name="paste" /> Quinn Moreland of [[Pitchfork Media]] gave the release 8.5 out of 10, with the site declaring it "Best New Music"; her review highlights the power of the album's lyrics and their ability to evoke mystery and memory.<ref name="pm" />
Chris DeVille of ''[[Stereogum]]'' praised the album, writing "''Microphones in 2020'' affirms the value of sifting through the past from time to time, so long as you spring forward. It works so well not because it tears down those old foundations, but because it builds so beautifully upon them." The site listed it as the album of the week.<ref name="sg" /> A brief review in ''[[Mojo (magazine)|Mojo]]'' gave it four out of five stars, calling it "intimate" and "absorbing".<ref name="mojo" /> Matt Bobkin of ''[[Exclaim!]]'' gave the album nine out of 10. Bobkin contextualized the release in Elverum's career arc as well as the sociopolitical climate in which it was released, summing it up as "Elverum's indelible stamp of style, distilled into a single track that flows like waves in the ocean or hills on the mountainside".<ref name="e!" />


Konstantinos Pappis of ''[[Our Culture Mag]]'' gave the album four out of five stars, touching on the unique experience of the long song and its ability to evoke memories.<ref name="oc" /> Writing in ''[[The Philadelphia Inquirer]]'', Steve Kling gave the release three out of four stars, comparing it to a good memoir as "it’s intensely personal while glimpsing universal truths (and avoiding solipsism)".<ref name="pi" />
Clare Martin of ''[[Paste (magazine)|Paste]]'' praised the introspective lyrics and delicate instrumentation, concluding, "an engrossing one-track album is no easy feat, but he draws us in with expertly rich, layered lyricism and immersive production".<ref name="paste" /> Quinn Moreland of [[Pitchfork Media|''Pitchfork'']] rated the release 8.5 out of 10, giving it the site's "Best New Music" accolade. Moreland's review highlights the power of the album's lyrics and their ability to evoke mystery and memory.<ref name="pm" /> Konstantinos Pappis of ''[[Our Culture Mag]]'' gave the album four out of five stars, writing about the unique experience of the long song and its ability to evoke memories.<ref name="oc" /> Steve Kling of ''[[The Philadelphia Inquirer]]'' gave the release three out of four stars, comparing it to a good memoir as "it's intensely personal while glimpsing universal truths (and avoiding solipsism)".<ref name="pi" />


==Track listing==
==Track listing==
Line 103: Line 110:
==References==
==References==
{{reflist|refs=
{{reflist|refs=
<ref name="adm">{{Cite web |url=http://www.anydecentmusic.com/review/12520/The-Microphones-Microphones-in-2020.aspx |title=''Microphones in 2020'' by The Microphones Reviews |publisher=[[AnyDecentMusic?]] |language=en-US |access-date=2020-08-13 |archive-date=2020-09-19 |archive-url=https://web.archive.org/web/20200919051217/http://anydecentmusic.com/review/12520/The-Microphones-Microphones-in-2020.aspx |url-status=live}}</ref>
<ref name="2020fader">{{Cite web|author=Anon|date=December 17, 2020|title=The 100 best songs of 2020|url=https://www.thefader.com/2020/12/17/100-best-songs-2020-list-haim-bad-bunny-bladee-rank|url-status=live|archive-url=https://web.archive.org/web/20201220082330/https://www.thefader.com/2020/12/17/100-best-songs-2020-list-haim-bad-bunny-bladee-rank|archive-date=2020-12-20|access-date=2020-12-26|website=[[The Fader]]|language=en}}</ref>
<ref name="aoty">{{Cite web|url=https://www.albumoftheyear.org/album/253159-the-microphones-microphones-in-2020.php|title=The Microphones{{nbsp}}– ''Microphones in 2020''|language=en-US|website=Album of the Year|access-date=2020-08-13|archive-date=2020-09-10|archive-url=https://web.archive.org/web/20200910051049/https://www.albumoftheyear.org/album/253159-the-microphones-microphones-in-2020.php|url-status=live}}</ref>
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<ref name="book">{{Cite web|last=Bloom|first=Madison|date=November 12, 2020|title=Phil Elverum Announces Microphones in 2020 Photo Book|url=https://pitchfork.com/news/phil-elverum-announces-microphones-in-2020-photo-book/|url-status=live|archive-url=https://web.archive.org/web/20201113063214/https://pitchfork.com/news/phil-elverum-announces-microphones-in-2020-photo-book/|archive-date=2020-11-13|access-date=2020-12-26|website=[[Pitchfork (website)|Pitchfork]]|language=en-us}}</ref>
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<ref name="pi">{{Cite web |last=Kling |first=Steve |work=[[The Philadelphia Inquirer]] |date=August 7, 2020 |access-date=August 13, 2020 |language=en-US |url=https://www.inquirer.com/entertainment/fontaines-dc-new-album-a-heros-death-review-20200807.html |title=Fontaines D.C. Are the New Rock Heroes That 2020 Needs So Desperately |archive-date=August 10, 2020 |archive-url=https://web.archive.org/web/20200810070511/https://www.inquirer.com/entertainment/fontaines-dc-new-album-a-heros-death-review-20200807.html |url-status=live}}</ref>
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<ref name="pm">{{Cite web |url=https://pitchfork.com/reviews/albums/the-microphones-microphones-in-2020/ |last=Moreland |first=Quinn |publisher=[[Pitchfork Media]] |date=August 7, 2020 |access-date=August 7, 2020 |title=The Microphones: ''The Microphones in 2020'' Album Review |language=en-US |archive-date=August 17, 2020 |archive-url=https://web.archive.org/web/20200817104003/https://pitchfork.com/reviews/albums/the-microphones-microphones-in-2020/ |url-status=live}}</ref>
<ref name="pm">{{Cite web |url=https://pitchfork.com/reviews/albums/the-microphones-microphones-in-2020/ |last=Moreland |first=Quinn |publisher=[[Pitchfork Media]] |date=August 7, 2020 |access-date=August 7, 2020 |title=The Microphones: ''The Microphones in 2020'' Album Review |language=en-US |archive-date=August 17, 2020 |archive-url=https://web.archive.org/web/20200817104003/https://pitchfork.com/reviews/albums/the-microphones-microphones-in-2020/ |url-status=live}}</ref>
<ref name="rs">{{Cite web |last=Ehrlich |first=Brenna |date=June 16, 2020 |access-date=June 21, 2020 |title=Phil Elverum Teases First Microphones Album in 17{{nbsp}}Years |url=https://www.rollingstone.com/music/music-news/phil-elverum-mircophones-2020-1015881/ |work=[[Rolling Stone]] |language=en-US |archive-date=June 18, 2020 |archive-url=https://web.archive.org/web/20200618051024/https://www.rollingstone.com/music/music-news/phil-elverum-mircophones-2020-1015881/ |url-status=live}}</ref>
<ref name="pmint">{{Cite web |last=Howe |first=Brian |date=May 13, 2008 |title=Microphones |url=https://pitchfork.com/features/interview/6849-microphones/ |url-status=live |archive-url=https://web.archive.org/web/20210210134637/https://pitchfork.com/features/interview/6849-microphones/ |archive-date=2021-02-10 |access-date=2021-05-28 |website=[[Pitchfork (website)|Pitchfork]] |language=en}}</ref>
<ref name="pmlove">{{Cite web |last=Moreland |first=Quinn |date=July 31, 2018 |title=Love Is Real: On Phil Elverum Marrying Michelle Williams |url=https://pitchfork.com/thepitch/love-is-real-on-phil-elverum-marrying-michelle-williams/ |url-status=live |archive-url=https://web.archive.org/web/20200809021341/https://pitchfork.com/thepitch/love-is-real-on-phil-elverum-marrying-michelle-williams/ |archive-date=August 9, 2020 |access-date=2020-08-30 |website=Pitchfork |language=en-us}}</ref>
<ref name="popmatters">{{cite web |url=https://www.popmatters.com/microphones-in-2020-review-2646961146.html |title=Phil Elverum Sings His Memoir On 'Microphones In 2020' |publisher=[[Popmatters]] |access-date=August 14, 2020 |last=Cochrun |first=Kyle|date=14 August 2020}}</ref>
<ref name="rs">{{Cite magazine |last=Ehrlich |first=Brenna |date=June 16, 2020 |access-date=June 21, 2020 |title=Phil Elverum Teases First Microphones Album in 17{{nbsp}}Years |url=https://www.rollingstone.com/music/music-news/phil-elverum-mircophones-2020-1015881/ |magazine=[[Rolling Stone]] |language=en-US |archive-date=June 18, 2020 |archive-url=https://web.archive.org/web/20200618051024/https://www.rollingstone.com/music/music-news/phil-elverum-mircophones-2020-1015881/ |url-status=live}}</ref>
<ref name="sg">{{Cite web |last=DeVille |first=Chris |date=August 4, 2020 |title=Album of the Week: The Microphones ''Microphones in 2020'' |url=https://www.stereogum.com/2092215/microphones-in-2020-review/franchises/reviews/album-of-the-week/ |url-status=live |archive-url=https://web.archive.org/web/20200806131848/https://www.stereogum.com/2092215/microphones-in-2020-review/franchises/reviews/album-of-the-week/ |archive-date=August 6, 2020 |access-date=August 4, 2020 |website=[[Stereogum]] |language=en-US}}</ref>
<ref name="sg">{{Cite web |last=DeVille |first=Chris |date=August 4, 2020 |title=Album of the Week: The Microphones ''Microphones in 2020'' |url=https://www.stereogum.com/2092215/microphones-in-2020-review/franchises/reviews/album-of-the-week/ |url-status=live |archive-url=https://web.archive.org/web/20200806131848/https://www.stereogum.com/2092215/microphones-in-2020-review/franchises/reviews/album-of-the-week/ |archive-date=August 6, 2020 |access-date=August 4, 2020 |website=[[Stereogum]] |language=en-US}}</ref>
<ref name="spotify">{{Cite web|last=Hudson|first=Alex|date=August 17, 2020|title=Mount Eerie's Phil Elverum Suggests Spotify Is Immoral Even Though It "Is Not Illegal Yet"|url=https://exclaim.ca/music/article/mount_eeries_phil_elverum_suggests_spotify_is_immoral_even_though_it_is_not_illegal_yet|url-status=live|archive-url=https://web.archive.org/web/20201218094410/https://exclaim.ca/music/article/mount_eeries_phil_elverum_suggests_spotify_is_immoral_even_though_it_is_not_illegal_yet|archive-date=2020-12-18|access-date=2020-12-26|website=[[Exclaim!]]|language=en-ca}}</ref>
<ref name="vid">{{Cite web |url=https://exclaim.ca/music/article/hear_the_microphones_first_new_album_in_nearly_two_decades |first=Beck |last=Thiessen |date=August 6, 2020 |access-date=August 6, 2020 |work=[[Exclaim!]] |language=en-CA |title=Hear the Microphones' First New Album in Nearly Two Decades |archive-date=August 9, 2020 |archive-url=https://web.archive.org/web/20200809013153/http://exclaim.ca/music/article/hear_the_microphones_first_new_album_in_nearly_two_decades |url-status=live}}</ref>
<ref name="vid">{{Cite web |url=https://exclaim.ca/music/article/hear_the_microphones_first_new_album_in_nearly_two_decades |first=Beck |last=Thiessen |date=August 6, 2020 |access-date=August 6, 2020 |work=[[Exclaim!]] |language=en-CA |title=Hear the Microphones' First New Album in Nearly Two Decades |archive-date=August 9, 2020 |archive-url=https://web.archive.org/web/20200809013153/http://exclaim.ca/music/article/hear_the_microphones_first_new_album_in_nearly_two_decades |url-status=live}}</ref>
}}
}}
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==External links==
==External links==
*{{Official}}
*{{Official}}
*{{Discogs master|1790538}}
*{{Discogs master}}
*{{Musicbrainz release group|f5699280-d709-4e53-b9c5-fa98d9371714}}
*{{Musicbrainz release group}}

{{The Microphones}}
{{The Microphones}}

{{Authority control}}
{{Authority control}}

[[Category:2020 albums]]
[[Category:2020 albums]]
[[Category:Concept albums]]
[[Category:Concept albums]]

Latest revision as of 06:54, 25 June 2024

Microphones in 2020
A photograph of Elverum standing in front of a cabin at night with the photo reflected at the bottom featuring him in the day
Studio album by
ReleasedAugust 7, 2020 (2020-08-07)
RecordedMay 2019 – May 2020
Genre
Length44:44
LabelP. W. Elverum & Sun, Ltd.
The Microphones chronology
Mount Eerie
(2003)
Microphones in 2020
(2020)

Microphones in 2020 is the fifth and final[2] studio album by American indie folk and indie rock band the Microphones. It is the Microphones' first release in 17 years, following 2003's Mount Eerie. It was released on August 7, 2020, on frontman Phil Elverum's record label P.W. Elverum & Sun.

Microphones in 2020 is a concept album consisting of one 44-minute song describing Elverum's life and musical career. The album was written and recorded entirely by Elverum. Its release was accompanied by a short film consisting of 761 printed photos taken by Elverum, which Elverum described as "lyric video...a slideshow, a powerpoint presentation, a flip book and a documentary".

Upon its announcement, fans and music publications were interested the album was credited to the Microphones and not to Mount Eerie, which Elverum had released most of his music under since 2004. The album received widespread critical acclaim.

Background and inspiration[edit]

"The point of this song was sort of: Here I am right now in 2020. I am currently all of those things. I am still that embarrassing stuff and the good stuff and everything has happened...I really tried to paint a picture of what ingredients made up...the Microphones period".[3]

Phil Elverum

The American musician Phil Elverum began the Microphones in 1996, acting as the frontman and principal songwriter. The band released four studio albums between 1996 and 2003,[4] including Don't Wake Me Up (1999), which gave the band a small following,[5] and The Glow Pt. 2 (2001), which went on to become a critically acclaimed cult classic.[6][7] After the release of 2003's Mount Eerie, Elverum ended the Microphones and opted to release his music under the name Mount Eerie instead, as the themes of his music had changed.[8][9]

After performing a show under the Microphones name in 2019, the attention it received led Elverum to question his "past identity" and desire to return to the project.[3][10] The project first started with Elverum "just walking around with it in [his] head and mumbling to [himself]".[11] He began creating lyrics, intending to encapsulate "whoever [he] was during those years".[11] After refining the lyrics to only what was necessary, he transcribed them to a notebook.[11] He connected the pages with staples to create a singular scroll, which was about 9 feet (3 m) by the end.[11] The album was recorded between May 2019 and May 2020.[12]

Speaking to NPR, Elverum explained that releasing the album under his old moniker was part of a self-imposed writing assignment as a musician.[11] He wanted the album to be a "project of demystification" which evoked and prodded at the feeling and history of the Microphones—but not hindered by nostalgia, instead being long-lasting[4]—analysed it within the scope of Elverum's life and change in perspective and rather than answer questions, simply express "how it is. The true state of all things is a waterfall".[13]

Music and lyrics[edit]

Ang Lee's 2000 film Crouching Tiger, Hidden Dragon was referenced in the album as a pivotal moment in Elverum's musical development which transitioned his music into "Something more transcendent".[11]

Music[edit]

Microphones in 2020 is a concept album that consists of a single 45-minute song.[4][14] It begins with a seven-minute instrumental section composed of two double-tracked and out of phase chords—D major and F sharp minor[3]—played on an acoustic guitar.[11] This guitar technique was used in earlier works, for example, "The Pull" in 2000, and Elverum considers it important to the band's sound.[10][11] Elverum explained that his reasoning for the intro's length was "wanting to push up against the edges, similar to extreme drone music, the way that it wears down at your sense of time and reality and makes you forget yourself", as well as symbolically representing the time between Mount Eerie and Microphones in 2020.[11]

After the introduction, more instruments are introduced: speak-singing, drums, bass, organ, electric guitar (which at times appears abruptly),[15] and piano (which slowly crescendos).[12][16] At times, the guitar ostinato gives way to other textures: distorted instruments and amp hiss.[10]

Lyrics and themes[edit]

The album is mainly about Elverum's life and musical career. His autobiographical journey is non-linear and skips around time.[10] He discusses many significant moments in his musical career, such as the beginnings of the Microphones, the production of the 2001 album The Glow Pt. 2, watching the film Crouching Tiger, Hidden Dragon, viewing performances by Stereolab and Bonnie "Prince" Billy, and listening to "Freezing Moon" by Mayhem.[3][17] There are many self-referential lyrics that point to themes and motifs from Elverum's other works, for example "When I took my shirt off in the yard I meant it, and it’s still off."[11][10]

Nostalgia is a prominent theme, with both the nostalgia of Elverum and his fans discussed, as well as the question of it being positive or not.[14] Elverum looks back at his past experiences with kindness, channeling the wonder and meaning from his youth.[10] The questions Elverum had from the initial 2019 show performing under the Microphones name again are featured and explored in the album.[10] Themes of process, form, identity, impermanence, and uncertainty are present—with the latter two themes, according to Elverum, inspired by "The trauma and mess of the last five or so years of my life".[16][18] Meaning and Elverum's search for it are prevalent themes in the album, and appear across Elverum's discography.[10]

When it was suggested that the album is a postmodern entity, Elverum stated, "Yeah well I feel it is its own weird thing, I guess. [...] I think of it more as an audiobook or something. It's like this big chunk thing that you can listen to if you want to sit down and devote some time to it."[19]

Release[edit]

The album was announced on June 16, 2020, and released on August 7.[4] According to writer Conor Williams, the initial attention from fans and music publications originated from the decision for the album to be released under the Microphones, which surprised Elverum (who expected the song's length to garner the attention).[13] The album was intentionally not released on Spotify as a form of protest.[20]

Short film[edit]

On August 6, an album-length short film was released to correspond with the release of the album. Distinct from traditional music videos, Elverum described it as a "lyric video", as well as "a slideshow, a powerpoint presentation, a flip book and a documentary". The video consists of 761 printed photos taken by Elverum, which are synched to the album's lyrics; at times, the video features the people and places discussed in the lyrics. It took Elverum three weeks to produce.[21][22] On December 25, Elverum released the photobook Microphones in 2020 Silent Version, composed of images from the short film. Elverum created the book because he wanted the photos displayed to be appreciated in a manner that the film did not allow.[22]

Williams compared the film to Hollis Frampton's Nostalgia. He also commented on Elverum appearing as a "ghost" in the photos (something Elverum deliberately intended).[13] Pitchfork's Sam Sodomsky wrote that the photos added "bittersweet visual cues".[23]

Reception[edit]

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.4/10[25]
Metacritic87/100[24]
Review scores
SourceRating
AllMusic[26]
Exclaim!9/10[27]
Mojo[28]
Paste8.9/10[29]
Pitchfork8.5/10[10]

According to the review aggregator Metacritic, Microphones in 2020 received "universal acclaim" based on a weighted average score of 87 out of 100 from seven critic scores.[24] AnyDecentMusic? summed up the critical consensus as an 8.3 out of 10, aggregating nine reviews.[25]

Chris DeVille of Stereogum praised the album, writing "Microphones in 2020 affirms the value of sifting through the past from time to time, so long as you spring forward. It works so well not because it tears down those old foundations, but because it builds so beautifully upon them." The site listed it as the album of the week.[30] A brief review in Mojo gave it four out of five stars, calling it "intimate" and "absorbing".[28] Matt Bobkin of Exclaim! gave the album nine out of 10. Bobkin contextualized the release in Elverum's career arc as well as the sociopolitical climate in which it was released, summing it up as "Elverum's indelible stamp of style, distilled into a single track that flows like waves in the ocean or hills on the mountainside".[27]

Clare Martin of Paste praised the introspective lyrics and delicate instrumentation, concluding, "an engrossing one-track album is no easy feat, but he draws us in with expertly rich, layered lyricism and immersive production".[29] Quinn Moreland of Pitchfork rated the release 8.5 out of 10, giving it the site's "Best New Music" accolade. Moreland's review highlights the power of the album's lyrics and their ability to evoke mystery and memory.[10] Konstantinos Pappis of Our Culture Mag gave the album four out of five stars, writing about the unique experience of the long song and its ability to evoke memories.[9] Steve Kling of The Philadelphia Inquirer gave the release three out of four stars, comparing it to a good memoir as "it's intensely personal while glimpsing universal truths (and avoiding solipsism)".[31]

Track listing[edit]

  1. "Microphones in 2020" – 44:44

Personnel[edit]

  • Phil Elverum – guitar, drums, percussion, vocals, organs, piano, bass guitar
  • John Golden mastering, lacquer cutting
  • Jimi Sharp – photography
  • Mirah Y. T. Zeitlyn – photography

Charts[edit]

Chart performance for Microphones in 2020
Chart (2020) Peak
position
Australian Albums (ARIA)[32] 88

References[edit]

  1. ^ a b c Cochrun, Kyle (August 14, 2020). "Phil Elverum Sings His Memoir On 'Microphones In 2020'". Popmatters. Retrieved August 14, 2020.
  2. ^ "Phil Elverum Details Microphones Vinyl Box Set". Pitchfork (website). Retrieved January 13, 2022.
  3. ^ a b c d Ehrlich, Brenna (June 16, 2020). "Phil Elverum Teases First Microphones Album in 17 Years". Rolling Stone. Archived from the original on June 18, 2020. Retrieved June 21, 2020.
  4. ^ a b c d Colburn, Randall (June 16, 2020). "Mount Eerie's Phil Elverum Announces New Microphones Album". The A.V. Club. Archived from the original on July 1, 2020. Retrieved June 16, 2020.
  5. ^ Gormely, Ian (November 5, 2018). "Microphones, Mount Eerie and Melancholy: The Career of Phil Elverum". Exclaim!. Archived from the original on November 16, 2018. Retrieved July 14, 2022.
  6. ^ Moreland, Quinn (July 31, 2018). "Love Is Real: On Phil Elverum Marrying Michelle Williams". Pitchfork. Archived from the original on August 9, 2020. Retrieved August 30, 2020.
  7. ^ Stosuy, Brandon (July 1, 2009). "An interview with Phil Elverum". Believer Magazine. Archived from the original on November 14, 2019. Retrieved May 26, 2020.
  8. ^ Howe, Brian (May 13, 2008). "Microphones". Pitchfork. Archived from the original on February 10, 2021. Retrieved May 28, 2021.
  9. ^ a b Pappis, Konstantinos (August 12, 2020). "Album Review: The Microphones, Microphones in 2020". Our Culture Mag. Archived from the original on August 30, 2020. Retrieved August 13, 2020.
  10. ^ a b c d e f g h i j Moreland, Quinn (August 7, 2020). "The Microphones: The Microphones in 2020 Album Review". Pitchfork Media. Archived from the original on August 17, 2020. Retrieved August 7, 2020.
  11. ^ a b c d e f g h i j Gotrich, Lars (August 6, 2020). "Phil Elverum Returns to a Refuge as The Microphones". NPR. Archived from the original on August 11, 2020. Retrieved August 7, 2020.
  12. ^ a b Anon (December 11, 2020). "Our 50 favourite albums of 2020". The Vinyl Factory. Archived from the original on December 23, 2020. Retrieved December 26, 2020.
  13. ^ a b c Williams, Conor (August 7, 2020). "Phil Elverum in 2020". Interview. Archived from the original on August 7, 2020. Retrieved August 26, 2020.
  14. ^ a b Power, Ed (December 10, 2020). "'I wanted to blow holes in the wall': How the concept album got inventive". The Independent. Archived from the original on December 16, 2020. Retrieved December 26, 2020.
  15. ^ Jenkins, Craig (December 9, 2020). "The Best Albums of 2020". Vulture. Retrieved December 27, 2020.
  16. ^ a b Power, Ed (September 1, 2020). "Interview: Phil Elverum on Microphones in 2020". Hotpress. Archived from the original on September 30, 2020. Retrieved December 26, 2020.
  17. ^ Anon (December 17, 2020). "The 100 best songs of 2020". The Fader. Archived from the original on December 20, 2020. Retrieved December 26, 2020.
  18. ^ Pearce, Sheldon (December 8, 2020). "My Thirty Favorite Albums of 2020". The New Yorker. Archived from the original on December 20, 2020. Retrieved December 26, 2020.
  19. ^ Rosenthal, Jon (August 7, 2020). "An Interview with Phil Elverum on The Microphones' First Album in 17 years". BrooklynVegan. Retrieved January 7, 2021.
  20. ^ Hudson, Alex (August 17, 2020). "Mount Eerie's Phil Elverum Suggests Spotify Is Immoral Even Though It "Is Not Illegal Yet"". Exclaim!. Archived from the original on December 18, 2020. Retrieved December 26, 2020.
  21. ^ Thiessen, Beck (August 6, 2020). "Hear the Microphones' First New Album in Nearly Two Decades". Exclaim!. Archived from the original on August 9, 2020. Retrieved August 6, 2020.
  22. ^ a b Bloom, Madison (November 12, 2020). "Phil Elverum Announces Microphones in 2020 Photo Book". Pitchfork. Archived from the original on November 13, 2020. Retrieved December 26, 2020.
  23. ^ Writers, Pitchfork (December 8, 2020). "The 50 Best Albums of 2020". Pitchfork. Retrieved July 9, 2022.
  24. ^ a b "Microphones in 2020 by The Microphones". Metacritic. n.d. Archived from the original on August 13, 2020. Retrieved June 25, 2024.
  25. ^ a b "Microphones in 2020 by The Microphones Reviews". AnyDecentMusic?. n.d. Archived from the original on September 19, 2020. Retrieved June 25, 2024.
  26. ^ Phares, Heather (n.d.). "Microphones in 2020 – The Microphones". AllMusic. Archived from the original on April 18, 2021. Retrieved April 12, 2023.
  27. ^ a b Bobkin, Matt (August 5, 2020). "Microphones in 2020 Crystallizes Phil Elverum's Lifetime of Soul-Searching". Exclaim!. Archived from the original on August 7, 2020. Retrieved August 5, 2020.
  28. ^ a b "Filter Albums". Mojo (322): 94. July 21, 2020. ISSN 1351-0193.
  29. ^ a b Martin, Clare (August 6, 2020). "The Microphones Journey Through the Past, Present and Future on New Album". Paste. Archived from the original on August 9, 2020. Retrieved August 6, 2020.
  30. ^ DeVille, Chris (August 4, 2020). "Album of the Week: The Microphones Microphones in 2020". Stereogum. Archived from the original on August 6, 2020. Retrieved August 4, 2020.
  31. ^ Kling, Steve (August 7, 2020). "Fontaines D.C. Are the New Rock Heroes That 2020 Needs So Desperately". The Philadelphia Inquirer. Archived from the original on August 10, 2020. Retrieved August 13, 2020.
  32. ^ "Week Commencing 17 August 2020". The ARIA Report. No. 1589. Australian Recording Industry Association. August 17, 2020.

External links[edit]